Showing posts with label Movie. Show all posts
Showing posts with label Movie. Show all posts

Monday, October 29, 2012

Sherlock Holmes: The game just got hotter...


Sherlock Holmes
Sherlock Holmes
Every Sherlock film is invariably weighed in the same nostalgic spirit of Victorian England of old. But Guy Ritchie had changed all that with his first installment of the master detective's bravados, at least on screen, by taking the lock, stock and barrel of Sherlock Holmes through nifty FX and stylised sequences of neo-baritsu.

In this second installment, The Game of Shadows, the formula which proved so successful earlier is strictly followed. Robert Downey Jr. in a long line of outstanding artists who played Holmes, and his interpretation of the character, is undoubtedly one of the best and he proves it once again with his charming, quirky mannerisms and a very proper British accent. Jude Law too proved to be a worthy sidekick of the sleuth and his gentlemanly fists showed to be no less formidable than the cannon he uses to blow down an entire stone tower.

The two most interesting characters were of course Mycroft Holmes, Sherlock's elder brother and Prof. Moriarty, Holmes greatest nemesis and his equal perhaps in everything apart from the chess board. Played by Stephen Fry and Jared Harris respectively, they were a treat to watch. The interactions between Holmes and Moriarty have been brilliantly scripted. The film gave us glimpses of the Sherlock in Conan Doyle's works, who did most of his work in the mind. Not that he isn't as smart in the film, but only if the plot wasn't so grand. James Bond could have also had a go here, saving the entire world from a war of gigantic proportions, unlike the smaller issues which, in the novels, the clients would invariably bring to 221B Baker Street.

The film is not a faithful interpretation of the canon. Neither is it a faithful interpretation of 1900s England. What it is, is a great new avatar of our beloved Holmes who has gone through so much for so many years; surely he can shrug a few special effects off now.

Friday, October 12, 2012

Ten things to die for...

IIPM Review MBA 2012


Hum intezar karenge tera qayamat tak Khuda kare ki qayamat ho aur tu aaye (I will wait for you till doomsday comes, May God wish for doomsday and hasten your arrival)

Urdu poet and lyricist Majrooh Sultanpuri must have longed for doomsday for sure. But who knows if his beloved ever arrived! If doomsday did come, would the poet have lived to see another day?

Former Prime Minister Indira Gandhi, too, probably had a foreboding. Why else would she have got a time capsule buried in Red Fort in Delhi on August 15, 1973. The 'history' contained in that pot became the talk of the town.

It is 2012 and everyone is talking about doomsday all over again. What if the world does indeed come to an end this year? What would we, as a nation, want to pass on for posterity – if there is one – to remember us by?

Anand Prakash and Sanjay Srivastava draw up a bucket list of ten things/concepts/symbols that define the India of 2012, things that would necessarily make the cut if another time-capsule were to be lowered into the bowels of the earth.

Lathi
For the rest of the world, the pen might be mightier than the sword. But in the Indian context, nothing can be stronger than the lathi. Via Mohandas Karamchand Gandhi, the wooden staff became a totem of our freedom struggle. From political firebrands battling for a cause to men in uniform staving off trouble to schoolmasters waving a firm hand at students, they have all wielded the lathi to great effect.

Jalebi
The juicy, crispy, yummy sweetmeat with many a delightful twist is an integral part of Indian street food. It not only satiates our collective proverbial sweet tooth, it serves as a great leveller in a mind-bogglingly diverse country, binding the rich and the poor, the south and the north, and the high and the low. Jai ho, jalebi!

Cuss words
Want to get something done in a rush? Hurl a choice gaali and see the kamaal unfold! In a land blessed with a multiplicity of languages and dialects, these colourful expletives that are used to soften up friends and enemies, and everyone else in between, emit just the right sound waves to dispel all prospective opposition. No blow is too low when a swear word is unleashed with intent and no effect that it has is too surprising! We are like this only.

Roti
The spherical, handmade wheat-bread makes the world go round in this part of the globe. In India, when we pray for our daily bread, it is roti that we always mean. The nation has its share of rice eaters no doubt, but can the roti ever be dislodged from our dietary spread, no matter which part of the country we live in? Roti-boti, rozi-roti and aatey-dal ka bhaav are inseparable from our upcountry patois. The parantha is, clearly, a neglected and limited species.

Uparwala
We probably hate the idea, but we are undeniably a land of snake charmers. India is home to a million superstitions and rituals. Every joy has a divine reason. And every woe is caused by God's wrath. Births, deaths, floods, droughts, lightning, thunder, happiness, sorrow, madness, delirium – everything is blamed on uparwale ki marzi (God's will). Thousands may die of snake bites every year in this country, but millions turn out every Nag Panchami day to celebrate the power of the serpents. Faith always wins even if life doesn't.

Song and dance
If literature is society’s mirror, cinema is its lens. But what this lens usually captures is a larger-than-life reality that demands a complete suspension of disbelief. Indian popular cinema peddles dreams and sugar-coated lies, but we love to lap it all up. Fashion, passion and tashan are the three pillars on which these yarns stand and whirl: India wouldn't be half as interesting a place without its 24-frames-a-second song and dance extravaganzas.

Paan
This is probably the only widely consumed edible item in the country – and the world – that is meant for nothing else but spitting out. The betel leaf juice is believed to activate the digestive system after a hearty meal, but this activity has defaced the innards of many of our monuments and other public edifices? But do we ever see red? A vital part of India's mass culture, we live with it in absolute harmony.

Joint family
The storyteller grandparents have become stories themselves. The joint family was supposed to be a specialty of this country. Grandparents, parents and children used to live under one roof. The oldest member used to be the head of the family. Call it the need of the hour or a modern-day compulsion, one can't live in a joint family today even if one wants to. Joint families are a thing of the past. Bring on the time capsule!

Kamasutra
The timeless text that turned carnality into an art is India's cultural meal ticket in the West. Nothing sells like sex. In a country where moral policemen frequently dismiss any overt display of sexuality as a Western aberration, the Kamasutra, a celebration of sexual adventurism, remains the essential riposte to all the killjoys who want to reduce India to a sexless land where you would do 'it' only to procreate and nothing else. Thank God for Vatsyayan!

Neta
Our political leaders are a breed so apart that they could put Marie Antoinette to shame. They are the butt of constant mass ridicule but they continue regardless, powered by the ballot. More than 60 years after Independence, their greed and incompetence have ensured that India languishes at the bottom of the human development index. Time was when the neta would hide under a Gandhi topi. Today, he has discarded all vestiges of purity. So, why would we want anybody to remember them? Simple. So that history isn't repeated!

Thursday, November 24, 2011

Dhobi Ghat: Dim city lights

IIPM: What is E-PAT?

Technically chic, but jarred storytelling muddies the canvas

Dhobi Ghat is like an abstract painting – it can mean a lot if you think you have read the layers, Dhobi Ghatand can be nothing but a splash of colours if you can’t decode it. Dhobi Ghat has nothing new to say. It is a film made by a person who is smitten by the city. It is a passionate but very indulgent kind of cinema where the director’s muse (Mumbai) becomes larger than the characters and story telling.

Shai (Monica Dogra), Munna (Pratiek Babbar), Arun (Aamir Khan – interestingly the biggest and unfortunate liability in the film) and Yasmin’s (Kriti Malhotra) paths cross in the narrow bylanes of Mumbai. I wouldn’t want to give away the story to you – there isn’t much, anyway. They all live in different Mumbais while living in the same Mumbai – a city of contrasts where sprawling seafacing homes dot the chawl filled streets. And yet, when their inhabitants meet, they shed their differences and walk hand-in-hand. While Shai’s Mumbai is clean, swanky and lonely, Munna’s is dingy, dreamy and lonely; Arun’s Mumbai is crowded, colourful and lonely and Yasmin’s is new, promising and yet lonely. Perhaps it’s this melancholy that binds these four characters together. Kiran uses an innovative technique in narrating Yasmin’s story to us. Her entire life unfolds before us, when she is never really there. Her video diaries mirror Arun’s solitude beautifully, right in the heart of the bustling Mohammed Ali Road. Yasmin’s immigrant point of view Mumbai is heart wrenching. Sadly, her’s is the only natural, genuine story that tugs at your heartstrings. The other characters, somehow, never manage to succeed in making you feel for them. And therein lies the problem. A film that counts so heavily on its characters to reach out to you and connect, fails to create characters that you really want to feel for. Even when the film ends you are left indifferent towards the characters.

Dhobi Ghat is not a bad film. What it lacks is a real story that wants to scream and reach out to you – a must for every good film. In Dhobi Ghat, unfortunately, neither are the characters very interesting, nor are the circumstances.


For More IIPM Info, Visit below mentioned IIPM articles.
Arindam Chaudhuri bags Delhi team of i1 Super Series
IIPM ranks No 1 in International Exposure in the 'Third Mail Today B-School Survey'
Management Guru Arindam Chaudhuri Dean Business School IIPM
IIPM Excom Prof Rajita Chaudhuri

"Thorns to Competition" amongst the top 10 best sellers of the week.
IIPM RANKED NO.1 in MAIL TODAY B-SCHOOL RANKINGS
'Thorns to Competition' - You can order your copy online from here
IIPM Mumbai Campus

Monday, November 21, 2011

Tangled: Old tale, new tricks

Management Guru Arindam Chaudhuri Dean Business School IIPM

The razzle and dazzle of Rapunzel with a dash of Disney magic

Disney for a brief while seemed to have lost its magic touch of breathing new life into classic tales but with Tangled it looks like they are back at doing what they do best – make you laugh, smile and even cry without missing a beat.

So, you have the story of long haired Rapunzel locked in her tower by Gothel, the woman she believes is her mother. But little does the princess know that her hair has extraordinary powers and the woman has kept her in the tower after kidnapping her as kid. Rapunzel longs to be out there in the world and when her chance arrives via Flynn, a thief who seeks refuge in her tower she embraces it bracing herself for adventure.

The rest of journey is trademark Disney fun filled stuff but with a new found spunk that is brought out well by Mandy Moore (Rapunzel) and Zachary Levi (Flynn). The humour is spot on drawing in children and adults alike, and the supporting cast of Maximus (the horse) and Pascal (the chameleon). The animation work is superb (the 3D version is totally worth it) as seen in the acting just the facial expressions of Maximus and Pascal do (the two characters have no lines in the film). Tangled is a triumph of good old Disney family storytelling with a bit of fun and adventure for everyone.

For More IIPM Info, Visit below mentioned IIPM articles.
Arindam Chaudhuri is Delhi franchise holder for i1 Super Series
IIPM ranks No 1 in International Exposure in the 'Third Mail Today B-School Survey'
IIPM Excom Prof Rajita Chaudhuri

IIPM: What is E-PAT?
IIPM RANKED NO.1 in MAIL TODAY B-SCHOOL RANKINGS
'Thorns to Competition' - You can order your copy online from here
IIPM Mumbai Campus

Thursday, January 06, 2011

THE STORM WARRIORS: Kicking up a kung fu storm

IIPM BBA MBA Institute: Student Notice Board

TSI Five-O: Ordinary special effects and tough to follow story arc ruin some good kung fu

If you are one of those who have been fed well on Hollywood SFX and CGI action, 'The Storm Warriors', a follow up to 'The Storm Riders' will not only be underwhelming (let's face it, no one does action as grand as a big ticket Hollywood studio) but also a bit annoying. The film is a well intentioned sequel picking up the story of two warriors Wind and Cloud, who after battling the evil warlord Lord Conquer in the first chapter, this time find themselves up against Lord Godless, a Japanese warlord who wants to invade China. In a time of kung fu and mystical battles, the story traces the adventures of the two warriors.

An adaptation of the comic book series Fung Wan, the problem for the film lies in connecting with the audience with its complicated story (you'll find it a little difficult to follow if you, like me, never heard of the comic books) and the action is not mind blowing enough for you to just watch the film for a visual treat alone.

The Pang brothers (Oxide Pang Chun and his brother Danny Pang direct the movie) are no Wachowski brothers, but they do pack a punch in their action scenes, of which there are plenty. But the mind numbing amount of kung fu laden action will jade you little if you are not quite following the story arc. Unless you happen to have read the Fung Wan series, I suggest you not to get yourself caught up in this storm.